无码av一区二区三区无码,在线观看老湿视频福利,日韩经典三级片,成 人色 网 站 欧美大片在线观看

歡迎光臨散文網(wǎng) 會員登陸 & 注冊

記憶 阿彼察邦+斯文頓 紐約電影節(jié)

2023-04-22 10:12 作者:CiciLi03  | 我要投稿


Director:

want to make sth new after films about Thailand

When traveling he suffered from a symptom (exploding head syndrome) like Jessica, but his sound not jumpy

Connect with others

“I love hospitals.”

?

Tilda:

Jessica is a predicament

Enter into a dream

Strange place for both of them

Not build a character but find an environment where she can be dislocated and connected, add personal experience, feeling of outside of society, running of the world, meaning that she is completely connected with nature

?

Director:

About the dead moment

Shoot long-take

Living portrait in Colombia

?

Tilda:

A huge blessing of us being lost/ Make virtue of it

?

Doing active research in Personal/political history in Colombia?

Tilda: we want sense of lostness/connectiveness and continue to work on the reverberation of trauma

Thailand/Scotland --find the third pill :Colombia

2019-2021 make a film about past present /resonance for Colombian is really immense

?

Director:

Listen to stories about sound

Bang! People’s anticipation: Gunshot/explosion/firework… collage of my memory

?

Bogota:

Shift all the time like you are in communication/negotiation with nature (weather)

The sound at the end:

Director:

A cinematic experience

A meditative practice only available in this city

Collective and individual in theater: you approach it differently

?

The focus in this film: being aware/~of internal vibration, grief, or happiness

The key is to accept that, to embrace and liberate

?

Tilda:

Rigor and freedom within it

The rhythm, not just the sound, the pulse of the film is in the hands of all the people in the frame, including birds

Human is relating to all of that when we came to the final scene

?

A mystery film: the question: what is the sound?

Jessica is simply a predicament

A strange piece of tightrope time travel and trust to know what we were responding to would be in the future. It was a sort of leap to imagine what would satisfy this question.

We just played with that.

?

Director:

Design the soundscape: not clear when shooting, but build up

Work with the sound designer/ calibrate the sound

Particular, interesting and personal

?

Lots of reduction

We just need Jessica to follow her to be aware and keep space for people

?

Being there, life, presence of sound, be acute

?

Tilda:

Every sound is welcome. Jessica is responding to, not offering too much

I really love the inadequacy in performance and in narrative/ the silence and tentativeness in humans, the animal part of us.

?

Being lost, but the truth is that joe’s frame is rigorous and organized

My task is to go and experience all of this and respond to it with no plan

A grateful environment to work in

?

How Jessica describes her condition in the sound engineering studio

Kind of cinema

Everything we think sounds different in our own head

The solution comes by looking at established industrial movie, they exist and are useful

Jessica’s ability to speak Spanish increases as the film goes on. She gets into the country and she’s all fluent.

?

Dog:

Company

?

記憶 阿彼察邦+斯文頓 紐約電影節(jié)的評論 (共 條)

分享到微博請遵守國家法律
西宁市| 长垣县| 宜春市| 黑龙江省| 睢宁县| 敦化市| 屯留县| 庄河市| 呼伦贝尔市| 绍兴县| 微博| 石景山区| 介休市| 伊通| 潼关县| 科尔| 澄迈县| 赤壁市| 章丘市| 海兴县| 江川县| 商城县| 铁岭县| 寿阳县| 山东省| 封开县| 富阳市| 留坝县| 和平区| 法库县| 石阡县| 安达市| 汶川县| 海城市| 琼海市| 平塘县| 平顺县| 沙河市| 崇义县| 成都市| 无极县|