搬運(yùn)自：微信公眾號(hào)【評(píng)論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

原文鏈接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/?

翻譯：Cathy Lin

校對(duì)：Ryan-Chopin

推送：Lynn Liu

Assembled by PAN label head Bill Kouligas, the compilation?Mono No Aware?offered a referendum on what “ambient music” means in the streaming era and a who’s-who primer on the genre’s emerging voices. An immediate standout was Yves Tumor with the gossamer synths and vérité chatter of “Limerance.” But at 16 tracks and nearly 80 minutes, the comp feels like a fun house with trapdoors at every turn: Open one and tumble into the breathy murmurs and glacial drifts of Malibu’s “Held.” Open another and hear Kouligas’ “VXOMEG” morph from harsh squall to blurry drones. Enigmatic and patiently unfolding,?Mono No Aware?stands as an argument for appreciating everyday subtleties in an era prone to bombast. –Marc Hogan

PAN 唱片公司總裁Bill Kouligas整合出了專輯《 物哀 》，引起了一次關(guān)于“‘氛圍音樂’在流媒體時(shí)代意味著什么”的全民思考，問題還有“在這一流派的新聲里，誰又是誰的入門啟蒙”。一個(gè)最直接的例子就是 Yves Tumor 在“Limerance”中他那薄紗般的合成器音樂和顫音。但是這16首總計(jì)近80分鐘的音樂集，給人的感覺就像是一個(gè)充滿樂趣的房子，每個(gè)轉(zhuǎn)彎都有活板門: 打開一扇門，就能感受到從馬里布樂隊(duì)的“Held”里發(fā)出的那氣息明確的低聲細(xì)語和冰川泥礫。再打開另一扇門，就可以聽見Kouligas的“VXOMEG”里那從刺耳的噪音到模糊的嗡嗡聲。整張專輯如一團(tuán)迷，你得耐心地聽下去，《物哀》在這個(gè)充斥著夸夸其談的時(shí)代里，成為了要欣賞日常細(xì)微之處的有力論據(jù)。